Narcissistic Fantasies in Film and Fiction: Masters of the Universe

Author(s) : Ilany Kogan

Part of The International Psychoanalytical Association Psychoanalytic Ideas and Applications Series - more in this series

Narcissistic Fantasies in Film and Fiction: Masters of the Universe

Book Details

  • Publisher : Routledge
  • Published : April 2020
  • Cover : Paperback
  • Pages : 173
  • Category :
  • Catalogue No : 94965
  • ISBN 13 : 9780367429164
  • ISBN 10 : 0367429160
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This book has grown from a belief that the psychoanalytic exploration of literature and performances leads to a richer and fuller understanding of each individual's internal reality. It includes an exploration of narcissistic fantasies from various protagonists of film and novels and focuses on the fantasy of the omnipotence of the self, which is a predominantly narcissistic desire to be a Master of the Universe, a deity, an omnipotent, immortal figure.

Psychoanalysis and art interact in exploring the individual's refusal to give up grandiose fantasies about the self, or his inability to modulate and integrate them within his personality, which are at the origin of his wish to transcend the human condition. These narcissistic fantasies are often expressed through aggressive and self-destructive behaviour, including flirtation with death and destruction. The emotional truth that great artists convey through symbols which often resonates in the audience, is examined in this book through studies and comparisons of narcissistic characters in contemporary fiction. Identifying with these figures, who place themselves above the law, may give us the illusion of omnipotence and immortality, which corresponds to a primary narcissistic fantasy, the traces of which exist in various degrees in all of us.

Part of the popular International Psychoanalytical Association Psychoanalytic Ideas and Applications Series, this book is unique in its focus on the narcissistic fantasy of the omnipotence of the self by means of an analysis of a variety of protagonists from the worlds of the performing arts and literature, and on the exploration of their impact on the audience. It will be of interest to psychoanalysts, therapists and those with an interest in the intersection of psychoanalytic theory with film and literature.

About the Author(s)

Ilany Kogan is a training analyst at the Israel Psychoanalytic Society. She functioned as Clinical Supervisor at the Department of Children and Adolescents, Eppendorf University Hospital, Hamburg, Germany, and of candidates and members of MAP, Munich, Germany and Aachen, Germany, Supervisor of the Psychotherapy Centre for the Child and Adolescent, Bucharest, Romania, Teacher and supervisor at the IPA Psychoanalytic Group, Istanbul, Turkey. She has also worked as a supervisor in various places in Germany, especially in Munich and Aachen, where she continues to this day, and at the Generatia Centre in Bucharest, Romania, and the IPA Study Group, Istanbul, Turkey. For many years, she worked with Holocaust survivors' offspring, and published extensively on this topic. She was awarded the Elise M. Hayman Award for the study of the Holocaust and Genocide, and is the author of The Cry of Mute Children, Escape from Selfhood and The Struggle Against Mourning. She received the Sigourney Award, honouring achievements for the advancement of psychoanalysis in 2016.

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