Agnieszka Piotrowska

Agnieszka Piotrowska is an internationally recognized award-winning film maker, best known for her documentary Married to the Eiffel Tower. She is a Reader in Film Theory and Practice at the University of Bedfordshire, UK and is the author of Psychoanalysis and Ethics in Documentary Film (2014).

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Psychoanalysis and Ethics in Documentary Film

Psychoanalysis and Ethics in Documentary Film

by Agnieszka Piotrowska

  • Paperback £46.99

This distinctively interdisciplinary approach to the subject encompasses filmmaking, psychoanalysis, philosophy and popular culture and offers a unique insight into documentary film practice from a... (more)

Embodied Encounters: New Approaches to Psychoanalysis and Cinema

Embodied Encounters: New Approaches to Psychoanalysis and Cinema

Edited by Agnieszka Piotrowska

  • Paperback £48.99

What is the role of the unconscious in our visceral approaches to cinema? Embodied Encounters offers a unique collection of essays written by leading thinkers and writers in film studies, with a... (more)

Psychoanalysis and the Unrepresentable: From Culture to the Clinic

Psychoanalysis and the Unrepresentable: From Culture to the Clinic

Edited by Agnieszka Piotrowska, Ben Tyrer

  • Paperback £46.99

Psychoanalysis and the Unrepresentable opens a space for meaningful debate about translating psychoanalytic concepts from the work of clinicians to that of academics and back again. Focusing on the... (more)

Femininity and Psychoanalysis: Cinema, Culture, Theory

Femininity and Psychoanalysis: Cinema, Culture, Theory

by Agnieszka Piotrowska

  • Paperback £31.03 (RRP : £31.99 save £0.96)

For Freud, famously, the feminine was a dark continent, or a riddle without an answer. This understanding concerns man’s relationship to the question of ‘woman’ but femininity is also a matter of... (more)

Psychoanalysis and Ethics in Documentary Film (2nd Revised Edition)

Psychoanalysis and Ethics in Documentary Film (2nd Revised Edition)

by Agnieszka Piotrowska

  • Paperback £35.99

This distinctively interdisciplinary book draws upon psychoanalytic theory to explore how expectations, desires and fears of documentary subjects and filmmakers are engaged, and the ethical issues... (more)

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