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Mayhem

Author(s) : Christopher Bollas

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Mrs Stottlemeyer hates psychoanalysis, yet pays a surprise visit to the analyst's office, demanding that he resolve a dilemma posed by her long deceased husband. Led by his unconscious, the psychoanalyst finds himself in an excruciatingly embarrassing sexual encounter with a young woman. Forming a backdrop to these events, the country is riveted by an exhibition called A Life, in which an eminent curator has assembled a showcase of her son's life. Art critics feel gagged and agree not to discuss the show until it closes, forcing people into confusion about the son's life and the meaning of the exhibit.

The psychoanalyst, meanwhile, is incensed by the rise of a new therapy, 'funeralism', which specialises in deciding when relationships are dead and arranges 'funerals' to formally end such relations. An offshoot - 'clone-analysis' - claims to have discovered a psychic DNA; clone-analysts market what they call 'necromantic empathy', enabling their practitioners to discover the secrets of the dead.

There is national and local mayhem after A Life closes. Denied a catalogue, the right to take notes and even the ability to pay a second visit to the exhibition, people have disturbingly different memories of what they witnessed. Matters are made much worse when the show's organisers disappear.

As in his previous novellas, crowds function like Greek choruses, condensing into brief moments intense emotions and powerful ideas. Members of the public argue passionately in the streets about A Life, while one radical group, Forget Art, demonstrates against the subversive effects of installation art.

Set against these forces are the now familiar - and vulnerable - individuals in the psychoanalyst's world, such as his journalist friend Westin Moorgate and the comedian Fred Murk, who stand out, Giacometti-like, against the dark cloth of social and mental disorder.