Sitegeist - Number 6 (2011) - A Journal of Psychoanalysis and Philosophy

Editor : Philip Derbyshire, Editor : Kirsty Hall, Editor : Stephen Gee, Editor : Nic Bailey, Editor : Duncan Barford

Part of Sitegeist series - more in this series

Sitegeist - Number 6 (2011) - A Journal of Psychoanalysis and Philosophy

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Sitegeist is a space for thinking and questioning philosophy and psychoanalysis; it aims at a change in Geist - spirit, mind, intellect, wit, genius and morale. It seeks to contribute to a renewal of psychoanalysis, engaging with both the theoretical and the clinical and providing a lively contemporary discourse.

Reviews and Endorsements

Contents include:

This Thing Called God - Lacan, Religion and the Origins of the
Subject - Anastasios Gaitanidis

Monotheism: Exceeding the Psyche - Mary-Ann Crumplin

A Cat's Eye View of Dire Mastery - Barbara C.

Review: The Power of Religion in the Public Sphere - Kirsty Hall
Review: Freud's Mexico: Into the Wilds of Psychoanalysis - Philip Derbyshire
Review: Psychoanalysis and the Challenge of Islam - Philip Derbyshire

About the Editor(s)

Philip Derbyshire is currently a British Academy Post-Doctoral Fellow based at Birkbeck, University of London. He is working on aspects of cultural production in North-west Argentina, including the transculturation of European philosophy (and psychoanalysis) by Andean modes of thought.

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Kirsty Hall taught psychoanalysis as a body of theory at Middlesex University and currently teaches both theory and practice on a number of trainings. For a while she was the managing director of Rebus Press, a publishing house whose list reflected her own wide interests. She continues to work in private practice and to write about issues in the field.

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Stephen Gee is Chair of the Site for Contemporary Psychoanalysis. He practices full time as a psychoanalyst and supervises at London Friend and the Studio Upstairs. He has a background in the arts and community politics. He believes psychoanalysis to be as demanding and as potentially disciplined a practice as the theatre at its best and as such it should remain autonomous and ungovernable.

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