A story about the stories we tell ourselves


The Other Side of Silence is a novel about many things; intergenerational trauma, unresolved grief, the way in which the quality of our relationships affects our lives, and vitally about the possibility of change.

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‘Always’ is a beautiful word

This is a film made with the sentences and the plot of the novel  Invisible Mending by Argentine psychoanalyst and novelist Guillermo Montero. With the background of a sexual bond, and following the lives of the main characters (Vera and Victor), the novel tries to disentangle the difference between Fate and Destiny. Internationally awarded, this is the first English edition.  

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Going beneath the skin of the contemporary fascination with serial killers: the Allure of Power, Control, Dominance


‘I hadn’t started out per se to ‘study’ serial murderers, now many years ago.  I was doing neurological research on the NASA Skylab and Apollo-Soyuz Test Project.  Increasingly I was becoming interested in neuropathology of primitive personalities.  In biochemistry we go to the molecular structure of a compound to see what its chemical signature is composed of.  What then was the signature of what may be the most primitive form of man; who represented man at his serially worst: A murderer who killed for seemingly pleasurable gain and who used power, control and dominance, as a way of torturing his victims before he murdered them.  In those days the term ‘serial killer’ was not yet in the public sector as it resides today nor did the idea of a serial killer carry the current voyeuristic allure.

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The Gossamer Thread: My Life as a Psychotherapist


Years ago I started writing a novel in which a recently retired psychoanalyst is interviewed by a young post-graduate psychologist about his life and experiences. I wrote 25,000 words before I realised that I was writing about my own experiences. This then morphed into my memoir.

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That’s the catch when you stop eating food starts to eat you


Writing The Rustle of a Wing: Finding Hope Beyond Anorexia has been both a challenge and a chance to take something good out of the misery inflicted by my anorexia.  I want it to reach out to sufferers, those that care for them and also professionals involved in treating this wretched addiction.

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How Mind Control Programming is Accomplished and How it Works

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White Witch in a Black Robe: A True Story of Criminal Mind Control brings to light an undercurrent in society that a minority know about, many don’t want to know about, and the majority are unaware of. 

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The Tragedy of Crookham Court School

In 1969 Ian Mucklejohn went as a supply teacher to Crookham Court School, a private boys’ school in Berkshire, where he kept a diary of its eccentricities and odd characters. But it became clear that these peculiarities disguised a sinister undercurrent. Years later, he helped to expose one of the biggest scandals in modern British education, as evidence emerged of the sexual abuse by teachers of dozens of boys at the school. He writes here about the book recounting how the abuse came to light and the lessons that need to be learned. 


Crookham-2-005 (2)‘How’ I asked a Norwegian client last summer, ‘can Norway exist as the incredibly open society it is?’  I asked because, within a minute of tapping his name into a search engine, I had discovered not only a Norwegian enquirer’s full address, but also his landline number, his mobile number, his date of birth, his wife’s name and date of birth, his salary, the tax he paid and what that tax was spent on.  My client looked me in the eye.  ‘I think,’ he mused ‘It’s because we trust each other.’

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Take a Chance, Read a Novel


The Hands of Gravity and Chance is about the interior life of the members of a family, as well as the interior life of the family itself.  While this is the arena in which I work as an analyst, there is an enormous difference between treating an individual in analysis and creating a character in a novel.  In the latter, anything is possible and everything is the creation of the author. So, a good deal of the work involved in my writing this novel was the task of using this extraordinary freedom that is available to a novelist while at the same time making the extraordinary plausible, in the sense that it rings true to the reader’s emotional experience. As John McGahern put it, “The novel has a responsibility to be plausible, life doesn’t.”

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